Here’s a neat little mnemonic tool to help you avoid some of the most commonly misspelled words in the English language. All credit is due to theOatmeal.com, and to see the original post please go here.

Click here to see the full Ten Words to Stop Misspelling

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Salon.com has an interesting article that casts a spotlight on a rather old notion:  should authors have patrons?

Back in Ye Olden Days of Yore, authors were commissioned by rich nobles and aristocrats to pen their works. Not so any more. Today, authors must eek a living from the few pennies per copy sold of their books, and most earn next to nothing in terms of the tens of thousands of hours of labor put into producing a novel or series from start to finish.

From the article:

The majority of authors, of course, can’t make a living from book sales as it is. They teach or work for the phone company or scrape together enough grants and fellowships to keep a roof over their heads… The eight hours or more per day that your favorite authors will spend servicing air conditioners or drafting marketing reports is time they won’t have to devote to writing their next book, the one you’re so eager to read.

The solution, so the argument goes, is to garner support from fans and/or a very rich dude, to pay for the work in question. Thus, writers will spend more time writing and less time struggling to support themselves and their families.

I’m all for it! Please contact me if you have a few thousand dollars lying around and would like to sponsor a series of steam-age fantasy stories and books. Hey, it never hurts to ask.

In other news, a few million monkeys randomly recreate every work of Shakespeare.

In the world of Mythania, magic is quite prevalent and pervasive. While only a small fraction of a percent of people are able to wield magic (estimated between 0.2% to 0.5%), this still amounts to well over a million persons. Of those, less than 5% are able to display any degree of significant potential–most are limited to a few basic abilities or a smattering of simple spells and folk charms. Nevertheless, practically every city has numerable magic shops, apothecaries, and potion vendors, to say nothing of magic-related services such as fortune-tellers, healers, scryers, enchanters, illusionists, and wizards-for-hire.

Every intelligent race (or species if you prefer) appears to be capable of wielding magic in some form or another. The Eldrien (and Scaith as well, to a lesser extent) are masters of natural magic, harnessing the forces of nature and the powers of the elements to marvelous effect. The Triclopes, likewise, are masters of psychic powers such as telepathy and telekinesis. Humans seem to be the only race interested in studying astral magic, although Scaithi and Kaffrians have recently begun taking an interest as well.  But no matter the person, be they Human, Eldrien, Scaithi, Dworgh, Ogre, Triclops, Kaffrian, or Marsid, the ability to harness and control the forces of magic seems innately intertwined with the qualities of self-awareness and self-determination. Perhaps all intelligent beings have a capacity for magic, but only in a few does the the miraculous gift awaken.

Today, most wielders of magic are organized into guilds and orders, the largest being the Esoteric Order under the direct jurisdiction of the Archidoxy. Prior to the fall of the Imperial Republic, the Esoteric Order was the only sanction magical order–although many others did exist underground. During the Age Reconstruction after the War of Tyranny, the Archidoxy’s political hold over the nations of Celaphania and Tarrona. Because of this, many other independent magical orders now exist, including the Thaumaturgical Order (found by the renowned wizard Soren), the Order of Triquetra, and countless smaller groups. Royal courts, government bodies, military forces, mercantile companies, and exploration groups, also employ wizards and mages in one capacity or another. Many can also be found as independent agents. Since the beginning of the War of Wars, two new magic orders have also arisen: the Order of the Knights Empyrean (loyal to the Commonwealth and her allies), and the dreaded Tenebraean Order (loyal to the Grand Imperium).
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One of the defining characteristics of the science fiction and fantasy stories is that they take place in a setting different from our everyday world (the “real world”). Even science fiction and fantasy that takes place on Earth must have some key differences that distinguish it from the real world, otherwise it would not be science fiction and fantasy, but would simply be contemporary or historical fiction. However, the fact that science fiction and fantasy stories are set in such an imaginary world requires one key concession from the reader or audience: suspension of disbelief.

Suspension of disbelief is simply the willingness of an audience or reader to temporarily accept what is clearly untrue in reality for truth in a given fictional setting. For example, while dragons and other magical creatures do not exist in the real world, an audience or reader must “suspend their disbelief” and accept that dragons and magical creatures do exist in the context of a given fantasy setting. Even so, there are limits to how far an audience or reader will go in suspending their disbelief. While they may accept that dragons exist in a certain fantasy setting, they will not accept a dragon that in one scene is red and then in another scene is blue (unless it has been established that dragons can change color). In other words, suspension of disbelief cannot be used as a convenient “out” to cover-up plot holes, contradictions, logical fallacies, or shoddy historical research. In order to facilitate suspension of disbelief, the work must at least be internally consistent.

Without internal consistency, a work of science fiction or fantasy will quickly dissolve into absurdity and chaos. All writers strive to remain internally consistent within their own work–even parodies need to be consistent in their satirical mockery. But mistakes do happen, and when a reader stumbles upon such an error in consistency, they are rudely jarred from their suspended disbelief into the sudden realization that not only what they are reading is make-believe, but that the author is sloppy as well. There is simply no excuse for such embarrassing mistakes because they can be avoided easily enough if an author simply takes the time to build his or her world.
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While I have been writing for approximately 20 years, accumulating thousands of pages of written work, I am quite ashamed to say that I have never been published. And it has not been for the lack of trying. I have failed to have a single book published by any of the major publishing companies out of New York, or any of the “middle-size” publishing companies in New York or elsewhere; equally, I have failed to get a single short story accepted by any magazine, big or small. Granted, I am referring primarily to magazines and publishers specializing in science-fiction, fantasy, and speculative fiction genres, but the problem seems to exist for everyone in the industry. So I ask myself from time to time, “are my stories simply nothing more than shoddily constructed drivel of meaningless prose, or is there something else going on?”

I recently heard another unpublished writer expressing the same frustration, but he made a startling observation which I had overlooked. It is not that the publishers are rejecting manuscripts–it is simply that they are not even reading the manuscripts in the first place!

But let me begin at the beginning…
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In this article I shall review various commercial (that is to say, “not free”) software applications that writers may find useful. I will not review software for which there are perfectly viable Free and Open Source alternatives. This is why you will not find Microsoft Office reviewed in this article — see my article on Free and Open Source software for an alternative to MS Office and other commercial software This list of recommended commercial software for writers is rather short compared my to list of Free and Open Source software, mainly because there are only a few useful commercial software packages for which there is no free or open source alternative. Most of the software listed here is for Windows only, except where noted.

Keep in mind that none of this software is absolutely necessary. Some of these applications will assist in your research, or in world building, or in the creative process of writing. But no software can write your stories for you. Do not become bogged down in the technology — if you end up doing nothing but building worlds and designing characters you run the risk of never getting to your story. I personally have found the best tool for writing to be my own imagination.

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Nothing is worse than an old cliché, but today more than ever the adage stands true: “the only constant is change”. We live in a world of constant change, surfing the rising wave of the Information Age. And no industry changes faster than that of computer technology and software development.

But constant change requires constant adaptation, and those who cannot adapt will fall by the wayside. Constant change means that everyday everything you own — be it an automobile, a telephone, a television, a computer, or thousands of dollars worth of software — are slowly and inexorably fading into that dark and dismal abyss of obsolescence. Who wants to spend several thousand dollars on software that will become obsolete in two or three years? Who would buy a car knowing it will not be able keep up with newer cars in a few years time? Probably no one. But this “planned obsolescence” seems to be the norm in the fast-passed world of computer technology.

Today, thanks to advances in manufacturing, the cost of computer hardware has dropped relative to the overall cost of software. As a result, while you may pay $500 for a new computer, the final cost may end up tripling after you add software. Additionally, newer versions of software packages are often released on a yearly basis, while some software giants even require annual subscriptions forcing you to pay every year to continue using their software. And what about when you buy that flashy new computer? You might think you can install the software from your old computer on your new one, but the electronic registration methods now being employed by many companies cripples your ability to freely use the very software which you purchased. In fact, the EULA (End User Licensing Agreement) on most commercial software is so restrictive and rigid that one might think you were signing a pact with the Devil simply to install the application.

So what does all this software ultimately cost? Let’s take a look at the numbers for some common software applications that might be found on a writer’s or artist’s computer (retail prices as of June 2008):

Microsoft Windows Vista Home: $129
Microsoft Office Professional: $499
Adobe Acrobat Pro: $449
Adobe Photoshop CS: $649
McAfee Internet Security Suite: $69

All told, that comes to over $1795! And expect to pay that every 2-3 years to keep up. Granted, you may not need Photoshop or Acrobat, and may get a “deal” for the other software if you purchase a computer from Dell, Gateway, or HP, but the cost of software, combined with highly restrictive EULAs, has simply become unacceptable.

…That is, especially when you consider that there are perfectly viable Free and Open Source alternatives for all of the above mentioned software… and more.

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With over 100 million blogs in the world (at least, according to Technorati who track blogs), I have no illusions that my little blog will, for the time being, suffer in the black abyssal void of obscurity from whence few blogs have every returned. But anything is possible in the fullness of time.

That said, I will introduce myself to anyone who happens to stumble in here. I am an aspiring author of fantasy fiction and science-fantasy. My current project is the World of Mythania, which you can find at Mythania.com. It is a “steam-age fantasy world” filled with wonders magical and technological, but devastated by war. I currently have a few short stories on the site, and I am working on a 5 book series.

I’m also a bit of a geek (or a nerd, depending on your definition). And so I will probably also be blogging about nerdy and geeky things, in addition to writing.

Well, that’s enough for now!